Program Notes Archive

  • Aaron Jay Kernis, Elegy (for those we lost)
    In the spring of 2020, Yale University School of Music undertook a project titled Postcards from Confinement, in which they asked faculty, students, and alumni to create musical media in honor of the victims of COVID-19….
  • Abels, Global Warming
    With a “keen ear for musical color and a deft ability to adapt structural elements from popular music into the symphonic idiom” (Houston Chronicle), contemporary composer Michael Abels has…
  • Alexey Shor, Verdiana
    Alexey Shor unquestionably does not fit the stereotype of contemporary composers. Holder of a Ph.D. in mathematics and a native of Kiev, Ukraine, he immigrated to Israel, and later to the United States. His compositions have enjoyed an international reception…
  • Amy Beach, Bal masqué
    Pianist-composer Amy Cheney Beach (1867–1944) was a remarkable woman whose life and career may have turned out very differently had she lived at a different time. Beach was born on her grandfather’s New Hampshire farm just after the American Civil War, the only child of a paper maker and his wife.
  • Astor Piazzolla, Sinfonietta
    Few composers have developed a style as individual and recognizable as Astor Piazzolla (1921–1992). Born in Argentina, but raised in New York City, Piazzolla was intrigued…
  • Bach, The Brandenburg Concertos
    Three hundred years ago, in August 1721, Johann Sebastian Bach was at a crossroads. For four years, he had been in the employ of Prince Leopold of Anhalt-Köthen. A true music lover, the prince was quite supportive of…
  • Barber, Adagio for Strings
    Program Notes by Dr. K. Dawn Grapes … Wistful. Nostalgic. Touching. Few pieces bring to mind as many emotion-filled adjectives as Samuel Barber’s Adagio for Strings. Yet the Adagio really needs no words to describe it at all, for the composition is a complete sonic experience all its own. Although the work created a lasting…
  • Barker, Suilean a’Chloinne (Children’s Eyes)
    In 2006, a familiar figure to the Fort Collins Symphony, conductor and violinist Leslie Stewart, approached Scottish-born composer Jennifer Margaret Barker (b. 1965) with a special commission. At the time, Stewart served as director of the Virginia-based Bay Valley Youth Orchestras. In this role, she requested a piece for her young string-playing musicians to perform…
  • Bartók, Dance Suite
    Hungarian composer, conductor, and pianist Béla Bartók (1881–1945) was born in Nagyszentmiklós, a town that now lies within Romanian borders. He spent his childhood in various locations in present-day Ukraine…
  • Beethoven, Coriolan Overture
    Beethoven wrote a gaggle of overtures, some were admittedly potboilers (his heart really wasn’t into them, but his financial needs were), but most were what we expect of the man.  The four overtures associated with his opera, Fidelio, stand in the forefront of them, but the Coriolan Overture is a major work, as well.  It…
  • Beethoven, Symphony no. 2 in D Major
    The years 1801-02 marked the nadir of Beethoven’s emotional life, as he grappled with the reality of his increasing and permanent deafness.  His despair was total, and the prospect of suicide is clearly implied in the documentary evidence.  Tumultuous and bitter family feuding entered into this cruel time, but the famous “Heiligenstadt Testament” records his…
  • Beethoven, Symphony no. 3 “Eroica”
    Program Notes by Dr. K. Dawn Grapes If just one adjective were offered to describe Beethoven’s Third Symphony, the word “more” might come to mind. As an orchestral work, the composition offered audiences of its time an enhanced experience as compared to anything they might have heard previously: more length, more depth, more variety, more…
  • Beethoven, Symphony No. 5
    Beethoven’s fifth symphony is the iconic work of classical music. It pervades the whole world of symbols and imagery of musical art as an evocation of a welter of ideas. In a sad way it is almost impossible to escape all…
  • Beethoven, Symphony No. 9
    Last night I heard a beautiful performance of Beethoven’s Ninth Symphony. No one will write anything better … Sergei Rachmaninoff
  • Beethoven, Violin Concerto in D Major
    By 1806 Beethoven had surmounted a series of significant distractions that had seriously affected his creative life.  The difficulties that he had with writing his only opera, Fidelio, are well documented.  Other factors were the misery of his ardent, but unsuccessful, personal relationship with the young widow, Josephine von Brunsvik, and, of course, dealing with…
  • Berlioz, Symphonie fantastique
    Of all of the major composers of the nineteenth century, Hector Berlioz is perhaps the most personally interesting.  What a vivacious, unique individual he was, both in his life and in his music. He was single-minded of purpose and impassioned in his pursuit of the composition of music that reflected his literary interests, his interaction…
  • Bernstein, Serenade
    Have you ever imagined what it would be like to attend dinner with a carefully selected group of historical figures? What would the conversations be? How would guests respond to one another? After reading Plato’s Symposium, Leonard Bernstein (1918–1990) was inspired to musically depict just that scenario. Serenade for Violin, Harp, Strings, and Percussion shows Bernstein’s intellectual approach to creating music.
  • Bologne, Joseph “Le Chevalier de Saint-Georges” – Symphony No. 1
    A long, overdue revival of the music of Joseph Bologne, Chevalier de Saint-Georges (1745–1799) has taken root in recent years. Saint-Georges, a mixed-race French courtier, musician, and military man, led a multi-faceted life, highlighted by his exceptional athletic and artistic skills.
  • Brahms, Liebeslieder Waltzes
    German composer Johannes Brahms (1833–1897) may have achieved great professional success, but, personally, he remained unlucky in love. Although involved in a number of romantic relationships throughout his lifetime, many were unrequited, and he remained unmarried, never settling down with someone he could call the love of his life. Brahms’s most intriguing relationship was with…
  • Brahms, Symphony No. 2
    Although Johannes Brahms (1833–1897) was born and raised in the German town of Hamburg, he spent much of his adulthood in Vienna, where he gained a reputation as a bit of an…
  • Brahms, Variations on a Theme by Haydn
    Good things often come in modest packages, and this work is unquestionably an example of that rule. We have often observed that Johannes Brahms was the major successor to the legacy of Beethoven, in a century filled with…
  • Britten, Four Sea Interludes
    Benjamin Britten is one of the last century’s most respected composers, and unquestionably the most influential and admired British composer from WW II, until his death in 1976. Fantastically gifted from an early age…
  • Britten, Variations on a Theme of Frank Bridge
    Twentieth-century British composer Benjamin Britten (1913–1976) was a precocious child. By the age of fourteen, he had already composed more than one hundred works. Recognizing his talent, his viola teacher introduced the boy to Frank Bridge, a highly acknowledged composer of the time….
  • Chen Yi, Ge Xu (Antiphony)
    Program Notes by Dr. K. Dawn Grapes Date of Composition: 1994 Duration: 8 minutes Chen Yi is just one of a noted group of composers who grew up in China in the mid-20th century, known for successfully fusing traditional Chinese musical elements with Western compositional techniques. Chen was born into a musical family and learned…
  • Coleridge-Taylor, Novelletten nos. 2, 3, 4
    They say that good things come in small packages. A handwritten note, a sampler of Belgian chocolates, or a carefully selected piece of fine jewelry, each makes a lasting impression. Samuel Coleridge-Taylor’s Novelletten for strings, a brilliantly crafted set of short movements for strings, tambourine, and triangle, fits into this category as well. Written in…
  • Copland, Appalachian Spring
    What is it about Copland’s music that evokes such feelings of nationalism and nostalgia? Some would point to the composer’s use of open intervals of fourths and fifths, which emblematize the wide-open spaces of the American West. Others note his incorporation of folk-tunes and hymns, sometimes only in fragments, which add a familiarity for listeners….
  • Copland, The Tender Land Suite
    America of the 1950s was a very different place than that of the 1940s. Gone were the New Deal politics of Franklin Roosevelt and the shared patriotism of the World War II years. Instead, the United States grappled with its new role as a world superpower grounded in a mighty military-industrial complex. The Soviet Union,…
  • Debussy, Children’s Corner
    Program Notes by Dr. K. Dawn Grapes Date of Composition: 1908/1910 Arranged for orchestra by André CapletDuration: 17 minutes 1905 marked a special time in the life of French composer Claude Debussy. In October of that year, he was blessed with a beautiful baby daughter. He and newly-divorced wife Emma Bardac bestowed upon her their…
  • Debussy, Nocturnes
    Claude Debussy composed the three movements of his Nocturnes for orchestra between 1897-99. The early reception of this work was not wholly enthusiastic by any means, and they continued to receive mixed reviews…
  • Debussy, Prelude to the Afternoon of a Faun
    Program Notes by Dr. K. Dawn Grapes Date of Composition: 1894 Duration: 10 minutes Debussy was a critical figure in the transition from 19th-century romanticism to modern music. He was the most prominent composer associated with the musical style termed impressionism, an extension of the visual arts movement so named after Claude Monet’s 1872 painting…
  • Duff, Irish Suite for Strings
    A quick look through a list of Arthur Duff’s composition titles reveals his musical philosophy: Irish stories are best told with Irish-sounding music. The composer’s career path was not quite as clear, taking him in many directions. Dublin-born, Duff (1899–1956) received all of his musical training in the city, first at the Christ Church Cathedral,…
  • Dvořák, Symphony No. 9, “From the New World”
    By 1891, Dvořák was serving as composition professor at the Prague Conservatory. His achievements and status gained notice across Europe and even…
  • Dvořák, Violin Concerto
    In 1879, one of the leading violinists of the time, Joseph Joachim, heard a Dvořák string quartet and went on to champion the composer’s chamber music. In return, Dvořák composed his…
  • Farrenc, Overture no. 2 in E-Flat
    Until recently Farrenc has been practically unknown to symphonic audiences—especially in this country–but in her time she was held in high regard in the first half of the nineteenth century in France.  Unlike so many women composers of the past, she suffered little obscurity during her lifetime.  She evinced immense talent early on as a…
  • Fela Sowande, African Suite
    The music of Fela Sowande (1905–1987) is an excellent example of biculturality—music that blends elements of different socio-political artistic traditions. Born in Oyo, Nigeria, Sowande grew up in an upper-middle class family. This was almost forty-five years after Great Britain had declared Nigeria…
  • Gaelic Storm, An Irish Party in Third Class
    When James Cameron’s Titanic opened in movie theaters in December 1997, it ranked as the most expensive movie ever made to date. Accolades were swift, and the feature film, which dramatizes the ill-fated voyage of the eponymous ocean liner, became the first to earn over one billion dollars. Much of the charm of composer James…
  • George Walker, Tangents
    Program Notes by Dr. K. Dawn Grapes George Walker’s name is often associated with a string of firsts. Among other accomplishments, he was the first Black graduate of the Curtis Institute of Music, the first Black musician to earn a doctorate from the Eastman School of Music, the first Black instrumentalist to present a recital…
  • Hailstork, Church Street Serenade
    Aaron Copland and Adolphus Hailstork (b. 1941) have several things in common: both were born and raised in New York—Copland in the city and Hailstork upstate, both showed musical talent from an early age, both studied at the Conservatoire Américan at Fontainebleau in France and with the great pedagogue Nadia Boulanger (though some forty years…
  • Haydn, Symphony No. 100, “Military”
    Haydn’s nickname—“Father of the Symphony”— is well earned. His over one hundred symphonies standardized the genre and inspired other great composers of the era. Early in his career…
  • Haydn, Symphony No. 103 “Drum Roll”
    Haydn’s nicknames—“Father of the Symphony” and “Father of the String Quartet” are well earned. His sixty-plus quartets and over one hundred symphonies standardized the genres and inspired other great composers of the era such as Joseph Bologne, Wolfgang Amadeus Mozart, and Ludwig van Beethoven.
  • Herbert, Yesterthoughts and Punchinello
    Irish-born American composer Victor Herbert (1859–1924) was quite prolific. He wrote many piano pieces, songs, choral works, orchestral suites, concertos, and chamber compositions, but is best remembered for his stage works. His operettas, such as Babes in Toyland and Naughty Marietta, made him the most successful man on Broadway in the early decades of the…
  • Kovács, Sholem Aleichem Rov Feidman!
    This delightful work is nothing less than an inspired concert tribute to the amazing tradition of klezmer clarinet. Klezmer is the traditional music of the Ashkenazi Jews of Eastern Europe. From its centuries-old antecedents…
  • Mahler, Adagietto from Symphony no. 5
    “This Adagietto was Gustav Mahler’s declaration of love to Alma! … both of them told me this!” ~ Wilhelm Mengelberg, conductor’s score What could be more romantic than a love note disguised as a musical manuscript? Gustav Mahler’s Adagietto, the fourth movement of his Fifth Symphony, served just that purpose when received by his future wife…
  • Márquez, Danzón No. 4
    Music was a way of life for the family of Mexican composer Arturo Márquez (b. 1950). His grandfather was a folk musician and his father a dance-hall performer in a mariachi band. Thus…
  • Mendelssohn, Italian Symphony
    Program Notes by Dr. K. Dawn Grapes In 1830, the world was Felix Mendelssohn’s for the taking. Just barely into his twenties, the young German musician had already established an international reputation as a virtuoso pianist, budding conductor, and successful composer. The previous year, he had embarked on a world tour, exploring the Scottish Highlands…
  • Mendelssohn, Piano Concerto no. 1
    Program Notes by Dr. K. Dawn Grapes It is sometimes easy to forget that Felix Mendelssohn (1809–1847) died at just 38-years-old, perhaps because his published works sound so mature. Yet many were written when the composer was at an age when most of us are still trying to figure out where our talents lie. Hailed…
  • Montgomery, Jessie, Banner
    Jessie Montgomery’s Banner was composed in 2014, fulfilling a commission from the philanthropic Joyce Foundation and the Sphinx Organization, a group known for supporting diversity in the arts. The piece commemorates the 200th anniversary of The Star Spangled Banner. Of course…
  • Morawetz, Memorial to Martin Luther King
    Program Notes by Dr. K. Dawn Grapes Oskar Morawetz was one of Canada’s most successful composers. Yet many audiences have not heard his music. Morawetz was born and raised in Czechoslovakia. Just as he reached an age when his professional musical aspirations were in sight, the Nazi regime invaded his homeland. He moved to Vienna…
  • Mozart, Horn Concerto no. 3
    Program Notes by Dr. K. Dawn Grapes Unless you are a horn player, the horn is not the instrument usually associated with Wolfgang Amadeus Mozart. A master of the classical concerto, the prodigious composer wrote over two dozen featuring his primary instrument, the piano. Many were composed for his own performance. He also wrote a…
  • Mozart, Piano Concerto No. 24 in C Minor
    In 1778, the twenty-one year old Wolfgang Amadeus Mozart (1756–1791) was in Paris, performing and peddling his own music in hopes of finding employment outside his hometown of Salzburg. In the next decade, his desire for an appointment in one of the great European courts grew desperate.
  • Mozart, Symphony No. 36 in C Major, “Linz”
    In the crystalline perfection of Mozart’s works, pride of place must be given to his operas, nonpareil dramatic works that unified drama and music like none before or since.  And secondarily, there are the piano concertos—a genre that Mozart more or less established in its mature guise. Then there are his symphonies. He wrote forty-one…
  • Mozart, Symphony No. 41, “Jupiter”
    When Wolfgang Amadeus Mozart (1756–1791) left the employ of the Archbishop of Salzburg in 1781, he risked losing the security of a court position in…
  • Perkinson, Grass: Poem for Piano, Strings, and Percussion
    Program Notes by Dr. K. Dawn Grapes Pile the bodies high at Austerlitz and Waterloo. Shovel them under and let me work— I am the grass; I cover all. And pile them high at Gettysburg And pile them high at Ypres and Verdun. Shovel them under and let me work. Two years, ten years, and…
  • Pilsner, A Light in the Ocean
    “A Light in the Ocean” is a pure reflection of the wonders of life across our planet. As I composed the music, I consistently envisioned the beauty and spectacle of stepping into nature and seeing the flourish of life around me.  And, this is no more exemplified than in the underwater expanse of the ocean….
  • Price, Ethiopia’s Shadow in America
    Florence Beatrice Smith Price (1887–1953) is an American treasure whose music was almost forgotten due to her race and gender. Born in Little Rock, Arkansas, Price’s family supported her musical…
  • Price, Suite of Dances
    Program Notes by Dr. K. Dawn Grapes The music of Florence Price has experienced a renaissance in recent years. Price worked hard to overcome racism and misogyny in the Chicago music scene during the 1930s and 1940s and faded from public consciousness in the years following her death. Now, almost seventy years later, performers and…
  • Prokofiev, Lieutenant Kijé Suite
    Sergei Prokofiev and Dmitri Shostakovich are the two composers who stood above the rest of those who labored during the years of the Soviet Union. Unlike Shostakovich, however, Prokofiev enjoyed part of his career living and composing in the West, returning to the USSR in 1936 voluntarily.  Like his compatriot, Prokofiev must be counted as…
  • Prokofiev, Symphony No. 5
    Sergei Prokofiev and Dmitri Shostakovich are the two composers who stood above the rest of those who labored during the years of the Soviet Union.  Unlike Shostakovich, however, Prokofiev enjoyed part of his career living and composing in the West, voluntarily returning to the USSR in 1936. Like his compatriot…
  • Rachmaninoff, Piano Concerto No. 2
    In the early twentieth century, composers were experimenting with increasingly intellectual methods of composition. Sergei Rachmaninoff (1873–1943) ignored contemporary trends…
  • Ravel, Le Tombeau de Couperin
    Ravel and Debussy are often paired in music lovers’ minds. They certainly were friends, admirers of their respective talents and musical works, and landmarks, not only of French musical culture, but the world, as well.  But there the comparisons end, for Ravel and his compositions constitute a unique body of work, not closely related to…
  • Reinecke, Flute Concerto in D Major
    Public memory is cruel, and there are legions who were household names during their lifetimes, only to gradually fade into obscurity. Who today remembers folks like the formerly prominent Americans Ida Tarbell, Edward Everett, and Father Coughlin, for example? And, similarly, the German composer, conductor, pedagogue, and pianist, Carl Reinecke? Influential in several musical fields,…
  • Respighi, Ancient Airs and Dances, Suite No. 2
    In the late-sixteenth and early-seventeenth centuries, the profession of musician was not so neatly subcategorized as it is today. Composers were also simultaneously performers, entrepreneurs, and teachers. Thus, it seems
  • Rodrigo, Concierto de Aranjuez
    Born in the region of Valencia, twentieth-century Spanish composer Joaquín Rodrigo (1901–1999) lost his sight as a small child. He learned to play piano and violin at the school for the blind he attended…
  • Satie, Gymnopedie No. 3, arr. Claude Debussy
    Erik Satie (1866–1925) was an outlier, both musically and socially. As a piano student, he left the Paris Conservatory twice without completion because he could not adapt to the inflexible…
  • Schumann, Clara, Piano Concerto in A Minor
    According to Clara Wieck Schumann, “I once believed that I possessed creative talent, but I have given up this idea; a woman must not desire to compose—there has never yet been one able to do it. Should I expect to be the one?” She must have written these dark words in a moment of despair…
  • Schumann, Robert – Symphony no. 1 in B-flat, “Spring”
    Program Notes by Dr. K. Dawn Grapes Date of Composition: 1841 Duration: 35 minutes It is easy to forget that there was quite a bit of overlap in the lives of many canonic 19th-century musicians. Individuals filled multiple roles as composers, conductors, and performers. Many of those whose music is still played today knew each…
  • Schumann, Robert, Piano Concerto in A Minor
    This work was Robert Schumann’s first piano concerto, the best of the lot, and deservedly one of the most popular in the repertoire. He composed in almost all of the common genres and, notwithstanding his success in the larger forms…
  • Shchedrin, Carmen Suite
    Russian pianist-composer Rodion Shchedrin (b. 1932) is young enough to have avoided the worst of Stalin’s “Reign of Terror” years, but still spent most of his career maneuvering Soviet expectations and restrictions. To his credit, he was one of the most successful and prolific…
  • Sibelius, Romance in C
    In 1904, the same year that Mahler’s Fifth Symphony premiered and Coleridge-Taylor made his first tour of the United States, Finnish composer Jean Sibelius (1865–1957) completed a little piece for string orchestra called the Romance in C. Like Mahler’s pivotal year between 1901 and 1902, 1904 most certainly marked a significant turning point in Sibelius’s…
  • Stravinsky, Symphonies of Wind Instruments
    Program Notes by Dr. K. Dawn Grapes Igor Stravinsky’s Symphonies of Wind Instruments displays several sides of the Russian-French-American composer’s compositional personality. Its clear form, unusual instrumentation,  and even its title lend towards Stravinsky’s so-called “neo-classical” period. Yet several Russian folk themes are disguised within, recalling earlier works written for Diaghalev’s Ballet Russe. In these…
  • Surinach, Ritmo Jondo (Flamenco)
    Like Márquez and Satie, Spanish-born composer Carlos Surinach (1915–1997) embraced dance as an inspiration for his music. More significantly, it was the dance world…
  • Tchaikovsky, Serenade for Strings
    Program Notes by Dr. K. Dawn Grapes Few composers have possessed the ability to reflect emotions within their music as well as Pyotr Ilyich Tchaikovsky. Born in a small Russian village, Tchaikovsky began music lessons at an early age. His talent soon became apparent. His parents, however, hoped for a more stable profession for their…
  • Tower, Fanfare for the Uncommon Woman no. 1
    Program Notes by Dr. K. Dawn Grapes American composer Joan Tower certainly fits into the category of “uncommon.” As a female composer coming of age in the mid-twentieth century, she had to overcome perceptions as to what a composer was and could be. Although Tower states she never personally felt discrimination, she notes the obstacles other composers…
  • Trimble, Suite for Strings
    Composers have three choices when creating folk-inspired music: to quote tunes as literally as possible, to adapt them to established forms, or to compose newly imagined music that evokes a particular culture. Suite for Strings by Joan Trimble (1915–2000) falls into this last category. Across three ambiguously titled movements, Trimble captures the rugged beauty, national…
  • Ungar, Ashokan Farewell
    The sun is sinking low in the sky above Ashokan,The pines and the willows know soon we will part.There’s a whisper in the wind of promises unspoken,And a love that will always remain in my heart. So begin the lyrics associated with Ashokan Farewell, a striking ballad by American composer Jay Ungar (b. 1946) that…
  • Vince Oliver, “Las Vistas Doradas”
    Las Vistas Doradas (Golden Views), was commissioned by the Denver Young Artists Orchestra and premiered by the ensemble at Walt Disney Concert Hall in Los Angeles in 2023 with the Fort Collins Symphony’s very own…
  • Vivaldi, Concerto Grosso Op. 3 No 11 in D Minor
    Son of a St. Mark’s Cathedral violinist, Venetian composer Antonio Vivaldi (1678–1741) was guided toward the priesthood from an early age. He entered a seminary in 1693 and…
  • Walker, The Light of Three Mornings
    As if to remind us that Ireland and Scotland are not the only places with rolling, green hills and breathtaking views, Gwyneth Walker’s The Light of Three Mornings captures the beauty of the composer’s then residence, a Braintree, Vermont farm. Early in her career, Walker (b. 1947) followed the usual composer’s path of college teaching,…
  • Weber, Peter Schmoll und seine Nachbarn Overture
    History is cruelly reductive, and it is the natural state of our collective memory that it often bears little resemblance to the balance of affairs that characterized the past. Whole lives, bodies of creative work, and popular acclaim of significant artists commonly disappear…
  • William Grant Still, Miniature Overture
    William Grant Still (1895–1978) came of age in the early twentieth century at a time when composers were trying to establish a uniquely American identity. For Still, that sometimes meant…